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Reviews: True Map of the City
“The plot is clever and delicately developed, the symbolism is richly layered, and every scene leaves readers asking head-scratching questions. The hyperbolic level of bureaucracy and hypocrisy occasionally comes across as satire, but also has the dark edge of Orwellian fiction.
"Creating such a surreal, vaguely impossible atmosphere in a novel is a challenging task, but Guenther plays masterfully with philosophy and language to achieve a singular mood. The stark, matter-of-fact narration and the intimacy of Horus' inner monologue gives the prose a foreboding sense, while the flashes of humor and ridiculousness give the book an odd balance.
"Guenther fits a whole tangled tale into just over 100 pages, with few wasted words.
"Capped off with a . . . completely unexpected conclusion, A True Map of the City is a truly good read, and Guenther humbly proves himself as a literary descendant of Kafka himself.” --Editor, Self-Publishing Review
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Tag Archives: teaching
Acting Classes
In my last post, I referred to Hal Croasmun’s “22 Ways to Improve Your Screenwriting” (here). One of his recommendations is: 18. Take an acting class. Several people have suggested this to me in the past, and Croasmun’s advice pushed … Continue reading
“The Garden of Forking Paths”
When constructing a plot, at any given juncture with multiple potential outcomes, it’s wisest not to select the first outcome that pops into your head. The best procedure consists of identifying as many of the outcomes as practical and then … Continue reading
Neil Gaiman Commencement Address 2012
If you haven’t seen this, you should take a few minutes, relax and watch one of the best, most honest speeches I’ve ever seen. Gaiman has a lot to say to artists and writers in a few words: H/t lightningdroplets.wordpress.com/ … Continue reading
Reasons Scripts Don’t Fly
Below is the link to a post called, “38 Reasons Why Your Screenplay Isn’t Getting Recommended by a Script Reader.” The post is accompanied by a chart crafted by an éminence grise who lurks under the mysterious, if humble, nom de … Continue reading
Scene Tips
The rule in cinematic scene writing is: “In late, out early.” Pick up the scene after it’s really under way. If you want your thud-and-blunder detective to go question a witness, don’t say, “Mike Bludgeon puts down the phone, … Continue reading
Coherence and Novel Writing
Well-written prose, among other things, should have a logical order. It’s frequently difficult to decide what to show and in what order in a scene or chapter. Sometimes imagining your scene through a camera helps to focus on events in … Continue reading
To an Unpublished Author
Rejoice a little in your current, unpublished status: you can write whatever you want, switch genres, do rhymed poetry, write the Great American coffee table book, anything whatsomewhoso. Make up your own words, even. Once you publish something and it … Continue reading
Screenplay Structure
William Goldman said something along the lines of, “The three things you need to know about screenwriting are structure, structure and structure.” Is this enouncement hyperbole? Or mere overstatement? The answer is obvious. Goldman has more to say about screenwriting … Continue reading
Why You Can’t Write Haiku, Part 4
What is true about haiku? A moment The intent of a haiku is to capture a moment of wonder, a time and place of intense awareness, usually one of beauty and harmony. The objective is to plunge the reader personally … Continue reading
The Critique: Basics of Editing
When reviewing a manuscript, a lot of effort can be saved by prioritizing the level of editing. Start with the more important factors and move towards the least important. Time spent on low level edits may be wasted if large … Continue reading